Movie posters: between the spectator and the movie screen. Three cases in contemporary Chilean cinema.
نویسندگان
چکیده
The movie poster responds to the logics of advertising field. Yet, its way mediating between spectator and product that it advertises —an audiovisual work consisting hundreds images— make a complex cultural allows us analyze using notion intermediality, as inscription surface for signs migrate from screen printed poster. This article explores posters three contemporary Chilean films viewing them symptomatic expression social, historical, aesthetic gaze.
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ژورنال
عنوان ژورنال: Revista de antropología visual
سال: 2022
ISSN: ['2452-5189']
DOI: https://doi.org/10.47725/rav.030.05